Tartakovsky continued in that vein with two more Cartoon Network action series ( Star Wars: Clone Wars and Sym-Bionic Titan), created a more adult-oriented fourth season of Samurai Jack in 2017 on Adult Swim, and then released the gorgeous and bloody Primal, a buddy-action extravaganza about a primitive man and a dinosaur struggling to survive the transition from reptilian to mammalian domination. In 2001, his work took an epic turn with the time-traveling series Samurai Jack, which alternated bursts of apocalyptic mayhem with long, nearly silent scenes. He then moved to the Cartoon Network, where he created Dexter’s Laboratory and worked as a director on The Powerpuff Girls, both cult favorites that defined ’90s American TV animation. The 52-year-old son of Soviet Russian émigrés was a filmmaking prodigy when he started working at Hanna-Barbera right out of college, serving as animation director on 2 Stupid Dogs. “There’s this old battle in animation where you’re told that things need to look more real for the audience to feel real emotions,” Tartakovsky tells me. As cartoonish as it is, the scene feels as immense as the climax of a live-action Star Wars or Marvel film, yet strangely more real, largely because Tartakovsky’s filmmaking keeps reminding the viewer of how small and fragile the characters are in comparison to the forces they’re struggling against. Take, for example, the finale of his 2018 movie Hotel Transylvania 3, a DJ battle to control the dance moves of an enormous kraken. His best films and TV shows rest on long, wordless sequences that challenge the audience to figure out his stories for themselves.Īnimator Genndy Tartakovsky is one of our greatest living action directors - a student of Sergio Leone, Akira Kurosawa, and George Lucas who creates family-friendly, populist work that can be described as both terrifying and adorable.
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